Earth Star Diamond

The Earth Star was cut from a rough gem weighing 248.9 carats found in the Jagersfontein Mine on May 16th, 1967. It traveled right through the recovery process until it appeared on the grease table in the recovery plant. Not surprisingly its appearance caused a commotion at the mine and to many in the diamond industry because too because among the numerous fine diamonds found at Jagersfontein, there had been few brown gems. In all its long existence, the mine had never been known for producing large stones of this color. Moreover this specimen came from the 2500-foot level of the mine workings, which is exceptionally deep in a volcanic diamond-bearing pipe for a gem of this size to be found in. Baumgold Bros. of New York purchased the stone and cut it into a pear shape weighing 111.59 carats, then the largest faceted brown diamond in the world. The diamond was found to have a greater degree of brilliance than is usually seen in a gem of such a strong color: the combination of color and brilliance led to Joseph Baumgold naming it the Earth Star. The diamond returned to South Africa in 1971 for display at the exhibition held to commemorate the 100-year anniversary of the discovery of the Kimberly Mine. The diamond would later be bought in 1983 for $900,000 by Stephen Zbova of Naples, Florida. Sources: Famous Diamonds by Ian Balfour and Diamonds - Famous, Notable and Unique by GIA. 

Dresden Green Diamond

 In the rough, greenish diamonds tend to occur as one of three types: a stone, often a crystal shape, possessing a light tinge rather like the color of water in a swimming pool; a stone with a dark green skin; a yellowish-green stone characterized by a degree if lubricity. After being cut and polished, diamonds of the first and second types usually lose their greenish color to become white gems or, alternatively, light yellow stones known as "silvery capes". The few truly green faceted diamonds therefore originate from the third type. The famous collection of De Beers Fancy Colored Diamonds, which has been displayed throughout the world includes some beautiful examples of green diamonds.

Since this is the story of a truly rare gem, a scientific explanation for the phenomenon of green diamonds is needed. The green color is usually caused by the crystal's coming into contact with a radioactive source at some point during its lifetime, and in geological terms, this is measured in millions of years. The most common form of irradiation diamonds chance into is through bombardment by alpha particles which are present in uranium compounds or percolating groundwater. Long exposure to these particles forms a green spot on the surface of the diamond, or sometimes produces a thin green coating which is only skin deep and can easily be removed during the faceting process. But bombardment by beta and gamma rays well as neutrons will color the stone to a greater depth and in some cases turn the whole stone's interior green.

Heating the stone might sometimes improve the color but care must be taken to keep the temperature below 600°C, because at this temperature the green color is likely to turn to a light yellow or brown. The change in color is caused by the change in the crystal's lattice structure. Before bombardment by radioactive particles the crystal's lattice was stable but the initial radioactive shock was sufficient to disturb the equilibrium and produce a green coloration. Tempering will distort the lattice further and produce another change of color. This phenomena is analogous to a piece of elastic that has been overstretched; it will stretch back so far, but never returns to its original length. Similarly, after a treatment the diamond's lattice remains permanently distorted.

Research has disclosed that green or irradiated diamonds are more common from alluvial deposits, although they are found in primary sources, usually in the upper part of the diamond-bearing volcanic pipe, but green diamonds of any size are rare. The Dresden Green, which probably weighed over 100 (old) carats in its rough form, is unique among world famous diamonds. It was originally probably an elongated unbroken stone since greenish diamonds rarely occur as cleavages.

The Dresden Green gets its name from the capitol of Saxony where it has been on display for more than 200 years. The earliest known reference to its existence occurs in The Post Boy, a London new-sheet of the 1700's. The issue dated October 25th - 27th, 1722 included this article:

"On Tuesday last, in the afternoon, one Mr. Marcus Moses, lately arrived from India, had the honor to wait on his Majesty [King George I (ruled 1714-27)] with his large diamond, which is of a fine emerald green color, and was with his Majesty near an hour. His Majesty was very much pleased with the sight thereof. It is said there never was seen the like in Europe before, being free from any defect in the world; and he has shown his Majesty several other fine large diamonds, the like of which 'tis said were never brought from India before. He was also, the 25th, to wait on their Royal Highnesses with his large diamond; and they were surprised to see one of such largeness, and of such a fine emerald color without the help of a foil under it. We hear the gentlemen values it at £10,000."

Marcus Moses was an important diamond merchant in London during the first part of the 18th century - he had once been involved with the Regent Diamond.

Another early reference to the Dresden Green is found in a letter dated from 1726, from Baron Gautier, the "assessor" at the Geheimes Rath's Collegium in Dresden, to the Polish ambassador in London, which speaks of the green diamond being being offered to Frederick Augustus I (1694-1753) by a London merchant for £30,000. This ruler, known as Augustus the Strong, was responsible for the construction of some great buildings in Dresden, which he duly filled with great collections of rare and expensive treasures - sculptures, paintings, and objects d'art. He accumulated a collection of crown jewels as the ruler of Saxony, and when he was elected to the throne of Poland in 1697 he commanded new regalia be made for his coronation. Frederick Augustus set aside a group of rooms in Dresden Castle to house his collection of jewels and other treasures, and named them the Green Vault, their interior decoration being trusted to Persian designers. The final result was considered to be one of the finest examples of Baroque. Nowadays, the contents of the Green Vault is housed in a contemporary Albertinium Museum, built on the site of the original castle that was destroyed during World War II.

A model of the green diamond was owned by the eminent physicist Sir Hans Sloane (1660-1753), whose collection of books, manuscripts and curiosities formed the basis of the British Museum. When Sloane retired from active work in 1741 his library and cabinet of curiosities had grown to be of unique value and on his death he bequeathed his collection to the nation, on the condition that Parliament pay his executors £20,000. The bequest was accepted and went to help form the British Museum, opened to the public in 1759.

Neither George I nor Frederick Augustus I purchased the green diamond; instead it was the latter's son, Frederick Augustus II (1733-1763) who became its first royal owner. He bought the Dresden Green from a Dutch merchant named Delles, at the Leipzig Fair in 1741. Various figures are given for the purchase price but the most interesting was found in a letter to Frederick the Great, King of Prussia (1712-1786), which states that "For the siege of Brünn the King of Poland was asked for heavy artillery. He refused due to the scarcity of money; he had just spent 400,000 thaler for a large green diamond." On orders of Frederick Augustus II, the court jeweler, Dinglinger, set the diamond in the Decoration of the Golden Fleece, but this setting lasted for only four years and was broken up in 1746. The king then commissioned the goldsmith Pallard in Vienna, to design another Golden Fleece incorporating both the Dresden Green and the Dresden White, a cushion-shaped diamond weighing 49.71 carats.

From 1756 to 1763 during the continued hostilities of the Seven Years War, the contents of the Green Vault were removed for safety to the fortress of Königstein, located in southeast Dresden by the Elba River. Several years after the war, which saw the defeat of Saxony, Pallard's Golden Fleece ornament was also broken up. In 1768 another jeweler, Diessbach, worked the green diamond into a hat clasp along with two other white brilliants, weighing almost 40 carats total, and a number of smaller diamonds. The Dresden Green survives in Diessbach's ornament today.

In 1806 Saxony became a kingdom and the royal line continued until 1918 when the last king abdicated. The contents of the Green Vault remained on display to the public until the beginning of World War II. In 1942 they were removed again to Königstein, thus escaping the shattering air raid by the Allied Forces on the night of February 13th, 1945 which divested Dresden. Later that same year the Soviet Trophies Commission, which had made its headquarters in Pillnitz Castle near the center of the ruined city, took the contents of the Green Vault to Moscow, the Crown jewels being among the first items to travel there. They were returned in 1958. 

The Gemological Institute of America examined the stone in 1988. The Dresden Green Diamond was proved to be not only of extraordinary quality, but also a rare type IIa diamond. The clarity grade determined by GIA was VS1 and the gem has the potential of being internally flawless. (This means that the stone's flaws are near the outer surface, probably the pavilion of the stone, where a slight re-cutting could remove them and improve the clarity of the stone.) The gem measures 29.75 × 19.88 × 10.29mm. Unbelievably, the GIA graded the symmetry good and the polish very good. This is amazing for a diamond cut prior to 1741. Also, the Dresden Green has a natural green body color. This is extremely rare. Diamonds with green skins or scattered green patches are more common.

In the summer of 2000, Ronald Winston completed arrangements for the Dresden Green to be exhibited in October, 2000, in the Harry Winston Gallery at the Smithsonian Institution, alongside the world's most famous diamond: the Hope. The 40.70-carat Dresden Green the largest and finest natural green diamond ever found, has long been considered a "sister" to the Hope Diamond, which it closely matches in size, intensity of color, and historical importance. Friday, October 14th, marked the official public opening of this remarkable exhibition.

It was the twelve-year quest of Ronald Winston to bring these two diamonds together. "There is only one other diamond, the Dresden Green, which comes close to the Hope Diamond in rarity and uniqueness," said Ronald Winston. "I always hoped that in my lifetime I would be able to witness the Hope Diamond and the Dresden Green on exhibit together. This would have been the crown in my father's 'Court of Jewels,' an unparalleled collection which toured the country in the 1950's and included some of the most famous diamonds in history."

The Dresden Green remained at the Smithsonian until January of 2001, when it returned the Albertinium Museum in Dresden, where it remains to this day. Sources: The Harry Winston website, Famous Diamonds by Ian Balfour, The Nature of Diamonds by George E. Harlow, the Gemstone Forecaster, and various sites scattered around the internet. 

De Young Red Diamond

 A red diamond weighing in at 5.03 carats. The cut is a round brilliant, but as you can see, the main kite-shaped facets on the crown are horizontally divided in two, giving the stone slightly more brilliance than a standard round brilliant. This stone was once bought at estate sale mistakenly as a red garnet! (It is not a pure red, however, there is a slight brown hue to the stone, which is what makes it appear more like a fine garnet than ruby like the Hancock Red and the Red Shield.) It is the third largest red diamond in the world. The second largest is simply known as the Red Diamond, an emerald cut weighing 5.05 carats. The diamond was found as a rough in South Africa in 1927, and was later bought and put in a private collection, unfortunately its whereabouts are presently unknown. The first largest is the Moussaieff Red, a very fine Internally Flawless ruby-red diamond cut by the William Goldberg Diamond Corporation from a 13.90-carat rough and sold to the Moussaieff jewelry firm sometime around the year 2001. At 5.11 carats, it weighs just slightly more than the previously mentioned diamond. The De Young Red is in the Smithsonian Museum in Washington D.C. A red diamond surrounded by white diamonds set in brooch sold at Christie's Hong Kong auction May 1st, 2001 for about $300,000. The Fancy Red center diamond was only 0.73-carat and was I1 clarity. I am still trying to find out more about that stone. 

De Beers Diamond

Not long after the formation of De Beers Consolidated Mines Limited in March 1888, a huge light yellow octahedral crystal was found in the De Beers Mine. The gem weighed 428.50 old carats (old carats being the pre-1913 non-metric carat) and measured 47.6 mm through its longest axis and 38.1 mm square. Excluding Victoria, aka the Great White or Jacob, the source of which remains doubtful, the De Beers was the largest diamond found at the four mines at Kimberly during the time period.

Weighing 234.65 carats, the De Beers is the seventh largest faceted diamond in the world, not including the Nizam, a now-lost stone which is said to have been only partially cut. It isn't known where the De Beers was cut, but because of its pre-eminence as a cutting center at the time it is very likely that the work was carried out in Amsterdam.  

After its display in Paris the Maharaja of Patiala bought the De Beers. In 1928 Cartier of Paris set it as the centerpiece of a ceremonial necklace that came to be known as the Patiala Necklace. Sometime during the 1930's the diamond was acquired by its present owners who loaned it in 1973 for an exhibition in Israel. 

After the end of the Raj, the art deco Patiala Necklace disappeared. Then in 1998, someone came upon the remnants of it in a second hand jewelry shop in London. All of the big stones were gone: seven stones ranging from 18 to 73 carats, set above a pendant, and the 234.69-carat De Beers Diamond, seventh largest in the world. Cartier acquired the remains of the necklace and spent four years restoring it. They tried recreating the original replacing the missing diamonds with a variety of natural stones such as white sapphires or white topazes, but with disappointing results. Back to the diamonds. The original diamonds were of course not available including the De Beers Diamond itself. While the search for replacements continues, Cartier decided to use cubic zirconium to substitute for the seven diamonds and synthetic rubies to substitute for the original Burmese marvels. A replica of the De Beers Diamond was created and set in the necklace, but what type of synthetic material used has not been released to the press. (One source actually said synthetic yellow sapphire, but this would have taken a prohibitively long time to cut and polish due to the immense size of the replica and the fact sapphire is a very tough stone, being a 9 on the Mohs hardness scale. Therefore, it is more than likely than yellow cubic zirconium was used, and another clue is that in a number of photos of the necklace, the De Beers replica casts off a number of different colors, something a synthetic yellow sapphire wouldn't do to that degree, but which a yellow cubic zirconium would.) The necklace originally contained about 2,930 diamonds weighing about 962.25 carats.

On May 6th, 1982, the De Beers came up for auction at Sotheby's in Geneva. It was generally thought that bidding could reach as much as $4.5 million. At the event the stone was bought when the top bid of $3.16 million remained below its undisclosed reserve.

In his book Precious Stones and Gems, Edwin Streeter has unwittingly been the cause of some confusion concerning this diamond. He wrote that it was shown at the Paris Exhibition as the "Victoria"; this has led to the listing in some publications of a diamond called the Victoria I, weighing 228.50 old carats, also found in 1888 and also a light yellow color, and afterwards sold to an Indian prince. A mathematical calculation will show that this is the same stone as the De Beers and not to be confused with the diamond known variously as the Imperial, Great White or Jacob, a diamond which was cut into a cushion shape of 184.50 carats. Sources: Diamonds - Famous, Notable and Unique by GIA, Famous Diamonds by Ian Balfour, the Cartier website, and numerous articles on the internet.

Darya-i-Nur Diamond

Considered to be the most celebrated diamond in the Iranian Crown Jewels and one of the oldest known to man, the 186-carat Darya-i-Nur is a crudely fashioned stone measuring 41.40 × 29.50 × 12.15mm. The name means Sea of Light, River of Light, or Ocean of Light.

Both the Darya-i-Nur and the historic Koh-i-Noor are said to have been in the possession of the first Mogul emperor of India, from whom they descended to Mohammed Shah. When the latter was defeated by Persia's Nadir Shah during the sack of Delhi in 1739, he surrendered all his chief valuables, including the diamonds and the well-known Peacock Throne.

After Nadir's assassination in 1741, he Darya-i-Nur was inherited by his grandson, Shah Rokh. Later, it descended in succession to Mirza-Alam Khan Khozeime and thence to Mohammed Hassan Khan Qajar. Finally, it came into the possession of Lotf-Ali Khan Zand, who was defeated by Aga Mohammed Khan Khan Qajar.

In 1797, Aga Mohammed was succeeded by his grandson, Fath Ali Shah, who was both a collector and connoisseur of gems and whose name is engraved on one side of the great diamond .

 

 In 1827, Sir John Malcolm, a British emissary to the Persian Court and author of Sketches of Persia, described the Darya-i-Nur and the Taj-e-Mah (another famous diamond in the Persian Regalia) as the principal stones in a pair of bracelets valued at one million pounds sterling.

During the reign of the next shah, Nasser-ed-Din (1831-1896), the stone was mounted in an elaborate frame, which is surmounted by the Lion and Sun (the emblem of the Imperial Government of Iran) and set with four hundred fifty-seven diamonds and four rubies. It is still mounted in that same frame today.

Although some researchers contend that the Darya-i-Nur was acquired by the East India Co. and exhibited at London's Crystal Palace Exhibition in 1851, Iranian officials at the Central Bank of Iran in Tehran, where the Crown Jewels are kept, told the Gemological Institute of America in 1964 that it has never left the Treasure Vaults.

In 1906, Mohammed Ali Shah, after being defeated by the Constitutionalists while carrying the diamond and other valuables with him during the Persian Revolution, took refuge in the Russian Legation and claimed that the jewels were his personal property. However, as a result of intense efforts made by the freedom fighters, this priceless token of Nadir's conquests was restored to the country.

Today, the Darya-i-Nur holds a prominent place among the Iranian Crown Jewels. The Iranian Crown Jewels were studied and authenticated in 1966 by Dr. V.B. Meen of the Royal Ontario Museum. It is now believed that the Darya-i-Nur is the major portion of Tavernier's Great Table. Source: DIAMONDS - Famous, Notable and Unique - GIA

It should be noted that the exact weight of the Darya-i-Nur is not really known. The figure of 186 carats listed here by GIA is an estimate. The stone is estimated to weigh somewhere between 175 and 195 carats, and it is a light pink color. The reason the exact weight is not known is because the stone cannot be removed from its setting without major risk of destroying the setting. It is more than likely that the stone was cut from the Great Table Diamond, and stone that was described by Jean Baptiste Tavernier as being over 400 carats, pink, and very flat.

Cullinan Diamond

The Cullinan I - aka the Star of Africa. 530.20 carats. Royal Scepter with Star of Africa. (The stone can be removed from the Royal Scepter and worn as a pin or pendant.) 

The Star of Africa, a pear shaped diamond weighing 530.20 carats, aka the Cullinan I. It measures 53mm x 44mm x 29mm, and has 76 facets (counting the culet and the table). It's called the Cullinan I because it's the largest of the 9 large stones cut from the Cullinan Diamond. The Cullinan II is the massive 317.40 carat cushion shaped diamond in the center-front of the Imperial State Crown of Great Britain. The Crown also features the Black Prince's Ruby, as well as St. Edward's Sapphire, and the Stuart Sapphire. All the stones in the crown seem to have a history. :) The Star of Africa holds the place of 2nd largest cut diamond in the world. The Star of Africa is on display with the other Crown Jewels in the Tower of London .

 

The nine largest pieces of the Cullinan Diamond. The largest piece would of course be cut into the Cullinan I (530.20 carats)and the the next largest into the Cullinan II (317.40 carats), and so on. This photo was probably taken in 1908, the year after the Cullinan rough was presented to King Edward VII for his 66th birthday.

 

Late one afternoon in 1905, Mr. Frederick Wells, the superintendent of the prolific Premier Mine in South Africa, was making a routine inspection trip through the mine when his attention was attracted by something reflecting the last slanting rays of the setting sun. Curious, he stopped for a closer look. He was eighteen feet below the surface of the earth, and the shiny object was on the steep wall of the mine a few feet above him. Mr. Wells quickly scaled the wall and extracted from the blue ground what appeared to be a large diamond crystal. At first, he thought he was being fooled by a large piece of glass, but tests proved it to be the largest gem-quality diamond ever discovered. It weighed 3106 carats, or about 1 1/3 pounds. It was named after Sir Thomas Cullinan, who opened the mine and was visiting on that eventful day. Many diamond experts believe that the huge stone was only a fragment, and that another piece, (possibly as large or even larger) either still exists and awaits discovery, or was crushed in the mining process. The latter is very unlikely. The prospect of finding the portion of the Cullinan has added zest to the activities of numerous miners and prospectors. The Cullinan was sold to the Transvaal government, which presented it to King Edward VII on his 66th birthday on November 9th, 1907. It was insured for $1,250,000 when it was sent to England. The King entrusted the cutting of the stone to the famous Asscher's Diamond Co. in Amsterdam, which had cut the Excelsior and other large gems. The huge diamond was studied for months. On February 10th, 1908, Mr. Asscher placed the steel cleaver's blade in a previously prepared V-shaped groove and tapped it once with a heavy steel rod. The blade broke, but the diamond remained intact! The second time, it fell apart exactly as planned, and an employee at the factory reported that Mr. Asscher had fainted. A second cleavage in the same direction produced three principal sections; these in turn would produce nine major gems, 96 smaller brilliants, and 9.50 carats of unpolished pieces. The nine larger stones remain either in the British Crown Jewels or in the personal possession of the Royal Family. These historically celebrated gems and their present mountings are as follows: The Cullinan I, also known as the Star of Africa, weighs 530.20 carats. King Edward placed it in the Sovereign's Royal Scepter as part of the Crown Jewels, and it is now on display in the tower of London. The Cullinan II is a 317.40 carat cushion cut stone mounted in the band of the Imperial State Crown, it is also in the Tower of London as part of the Crown Jewels. The Cullinan III is a pear-shaped diamond weighing 94.40 carats, and is in the finial of Queen Mary's Crown and can be worn with the IV as a pendant-brooch. Many of Queen Mary's portraits show her wearing these two stones, and Elizabeth II makes use of them the same way. The Cullinan IV, a 63.60-carat cushion shape, was originally set in the band of Queen Mary's crown, but can also be worn as jewelry, as described above. The Cullinan V is a triangular-pear cut weighing 18.80 carats, was originally mounted in a brooch for Queen Mary, to be worn alternately in the circlet of her crown as a replacement for the Koh-i-Noor. This was after the Koh-i-Noor was removed to the new crown that was made for Elizabeth (now the Queen Mother) in 1937. 

 

The Cullinan VI, an 11.50 carat marquise-cut stone, was originally presented by King Edward to his wife, Queen Alexandra, and is now worn by Elizabeth II as a drop on a diamond and emerald necklace. It was worn more frequently by the young Queen than any other section of the Cullinan. The Cullinan VII is an 8.80 carat marquise-cut stone mounted in a pendant on a small all-diamond brooch, in the center of which is the 6.80-carat cushion cut Cullinan VIII, and lastly, the Cullinan IX, a 4.39 carat pear shape, is mounted in a ring with a prong setting that was made for Queen Mary; it too is sometimes worn by Queen Elizabeth. 

 

 Imperial State Crown: originally made for Queen Victoria's coronation in 1838, it was remade for George VI in 1937. It contains the 317.40 carat Cullinan II. The large stone above the Cullinan II is the Black Prince's Ruby, which is actually a red spinal. The stone was at one time a giant bead. Note the red dot on the upper part of the stone - that is a ruby that was used to plug a small hole that went right through the stone. The Stuart Sapphire is a very fine 104-carat oval shaped sapphire that appears on the backside of the crown. It was among the Crown Jewels of Charles II. The sapphire in the center of the cross on the top of the crown is St. Edward's Sapphire, (believed to have belonged to Edward the Confessor), and the four large drop-shaped pearls are said to have been Elizabeth I's earrings.

 

The Cullinan II Diamond. Note the two tiny platinum loops on the edges. This is so the stone can be worn as a brooch, alone or with the Cullinan I attached. However, it usually resides in the front of the Imperial State Crown. The Stuart Sapphire has been moved to its on section. 

 

The Black Prince's Ruby on the front of the Imperial State Crown, a name which is misleading because the stone is actually a red spinal weighing about 170 carats. The gem is a large bead - the lighter-colored dot on the front of the stone is actually a ruby plugging up the hole that goes through the stone.  

Conde Diamond

 The Grand Conde is one of the most unusual of the world's notable diamonds: a light pink pear-shaped stone of 9.01 carats. Agents of Louis XIII are said to have bought the stone in 1643 after which the King presented it to Louis de Bourbon, Prince of Conde, who had distinguished himself as Commander of the French Army in the Thirty Years' War and who became known as the Grand Conde. Until his death in 1686, the Prince was known as an enthusiastic patron of the arts and an ardent admirer of various charming women, one of whom described him as a much more effective and able general than paramour !

 The diamond remained in the Conde family until the Duc d'Aumale bequeathed it to the French Government in 1892. Today, it is on display in the Musee de Conde in Chantilly, France, where according to the terms of the Duc's will, it must always remain. On October 11th, 1926, the diamond was stolen from the museum but later found and returned. It is also known variously as the Conde Pink, the Conde Diamond, or Le Grand Conde.

Many sources have quoted this gem as weighing around 50 carats, which is false. The gem's actual weight is 9.01 carats, and however the 50-carat statement got started is still unknown, but I'd imagine its something like a gemologist probably wrote a book a hundred years ago and mistook the stone for a different one. When following authors/gemologists went to research the stone, they came across the 50-carat figure and repeated it, thus starting a cycle. Special thanks to Greg Thompson of the Texas Faceters Guild for varifying the stone's actual weight! I had already seen both figures being quoted as its weight and was baffled at the figures being so drastically different!

Chopard (Watch) Diamond

This watch by Chopard features three heart-shaped diamonds, the pink weighs 15 carats, the blue weighs 12 carats and the white weighs 11 carats. They are set in a bracelet encrusted with clusters of white pear-shaped diamonds arrange in flower motifs, with a yellow diamond standing up from the center of each. Total caratweight of the white and yellow diamonds is 163 carats, while the total caratweight of the watch is 201 carats. The watch has a spring-loaded mechanism which, when pressed, allows the three heart shapes to mechanically open up, much the way the petals of a flower will in the sunshine. The watch face, pavé-set with small round yellow diamonds, is exposed from underneath the heart-shaped diamonds. The watch's pricetag is $25 million.

The specifications for a number of the diamonds are as follows:
- 1 heart-shaped diamond, natural Fancy Pink, Internally Flawess, 15.37 carats.
- 1 heart-shaped diamond, natural Fancy Blue, VS2, 12.79 carats.
- 1 heart-shaped diamond, D color, Flawless, 11.36 carats.
- 3 pear-shaped diamonds, natural Fancy Intense Yellow, 8.45 carats total.
- 26 pear-shaped diamonds, natural Fancy Intense Yellow, 17.07 carats total.
- 48 round diamonds, natural Fancy Yellow, 8.81 carats total.
- 260 pear-shaped diamonds, all D color, Flawless, 60.94 carats total.
- 91 round diamonds, D color, Flawless, 10.29 carats total.
- 443 FC diamonds, natural Fancy Intense Yellow, 4.95 carats total.

Centenary Diamond

 The diamond Jubilee of De Beers Consolidated Mines passed off quietly in 1948, the massive post-WWII growth and expansion of the diamond industry had barely begun, while several important sources of diamonds, including the Premier Mine, were still closed, while others remained to be discovered. Forty years later the annual output of diamonds exceeded 100 million carats and sales of rough diamonds reached around $5 billion. 

On March 11th, 1988, the centenary celebrations of De Beers took place in Kimberly and a banquet was held to close the Kimberly Mine (aka the "Big Hole"). An audience of four hundred people, including representatives of several national governments of diamond-producing countries and dignitaries from various sections of the industry, listened to the welcoming speech of the chairman, Julian Oglivie Thompson, totally unprepared for his final sentence: "We have recovered at the Premier Mine a diamond of 599 carats which is perfect in color - indeed it is one of the largest top-color diamonds ever found. Naturally it will be called the Centenary Diamond." 

No more fitting way of celebrating 100 years of achievement by De Beers could have been devise than the discovery of such a diamond and nowhere was it more likely to have been recovered than at the Premier Mine. Over the years this extraordinary mine has produced several outstanding diamonds of the most superb color, which have been cut into famous gems: The Cullinan in 1905; the Niarchos in 1954; the Taylor-Burton in 1966 and the Premier Rose in 1978. Now that the second millennium has ended, it is interesting to reflect that only nineteen gem-quality diamonds larger than the Centenary rough have been found during its course. The Premier Mine itself has produced nearly three hundred stones weighing more than 100 carats, and a quarter of the world's diamonds weighing more than 400 carats. 

 

The Centenary was found on July 17th, 1986 by the electric X-ray recovery system at the Premier Mine. Only a handful of people knew about it and all were sworn to silence. In its rough form it resembled an irregular matchbox with angular planes, a prominent elongated "horn" jutting out at one corner and a deep concave on the largest flat surface. The shape of the stone expressed problems in cutting with no apparent solution.

 

The man chosen to evaluate the Centenary was Gabi Tolkowsky, famed in the diamond industry as one of the most accomplished cutters in the world. His family had long been in the diamond trade and it was his great-uncle, Marcel Tolkowsky, diamond expert and mathematician, who published a book in 1919 titled "Diamond Design", which for the first time set out exact ways of cutting the modern round brilliant cut. Gabi Tolkowsky himself was the creator of five new diamond cuts, revealed in 1988, which concentrate on maximizing brilliance, color or yield - or a combination of all three from off-color rough diamonds previously thought difficult to cut profitably into conventional round or fancy shapes. Named for flowers, the cuts are largely based on unorthadox angle dimensions. The overall proportions as well as the use of more facets around the pavilion increase brilliance and improve visual impact when viewed face-up.

 

When he first saw the Centenary, Tolkowsky was astounded by its exceptional purity. "Usually you have to look into a diamond to appreciate its color, but this just expressed itself from its surface. That is very rare," Tolkowsky said. He knew the protruding "horn" would have to be removed as well as other "asperities," as he called them, which interfered with the stone's basic shape. At the same time, Tolkowsky realized that the diamond would be difficult to polish because its shape did not offer an obvious approach. Usually a diamond will suggest two or three shapes to its cutter but the Centenary was more generous - if more baffling - by providing several possibilities. In the end Tolkowsky submitted his appraisal, saying that the diamond must be kept intact to produce one singe large modern-cut diamond. 

 

 He was asked to cut the Centenary, and late in 1988 Tolkowsky, two master cutters - Geoff Woolett and Jim Nash - together with a handpicked group of engineers, electricians and security guards set to work in a specially designed underground room in the De Beers Diamond Research Laboratory in Johannesburg, South Africa. It was crucial that the room, like the special tools needed for faceting, should be stable and strong; nothing must rattle, everything must be tight, there should be no mechanical vibration or variation in temperature around the cutting table. 

 

For one whole year while the right tools and technical conditions were created, the Centenary remained unaltered and untouched. Tolkowsky examined the stone until he knew every fissure and crevice of it. Using the most sophisticated electronic instruments he gazed deep into the crystal structure. "From the moment I knew I was going to cut it," he said, "I became another man. A strange man. I was looking at the stone in the day, and the stone was looking at me at night." 

 

The first step before the diamond could be faceted was the elimination of large cracks from the edge of the stone running a considerable depth inside it. He decided not to saw or cut with a laser because both methods would heat or vibrate the diamond. Instead, he turned to the time-honored method of kerfing by hand. It took Tolkowsky 154 days to remove about 50 carats which otherwise would have been polished to dust. At the end was a roughly-shaped rounded crystal about the size of a bantam's egg, weighing about 520 carats. After that was an endless process of drawing and measuring as possible shape designs began to emerge. In all, thirteen different designs were presented to the De Beers board, with the strong recommendation they should chose a modified heart shape. Once this recommendation had been accepted, the final process of faceting the Centenary began in March, 1990. By January, 1991 it was nearing completion.

 

When cutting was completed the Centenary weighed 273.85 carats, measured 39.90 × 50.50 × 24.55 mm, and had 247 facets - 164 on the stone and 83 around its girdle. Never before had such a high number of facets been polished onto a diamond. In addition, two flawless pear shapes weighing 1.47 and 1.14 carats were cut from the rough. Amoung top-color diamonds the Centenary is surpassed only by the Cullinan I (aka the Star of Africa) and the Cullinan II, which were cut from the Cullinan crystal before modern symmetrical cuts were fully developed in the 1920's, making the Centenary the largest modern fancy cut diamond in the world and the only one to combine the oldest methods - such as kerfing - with the most sophisticated modern technology in cutting. The Cullinan diamonds are actually near-colorless, but qualify as white diamonds. The GIA color grading letters D, E and F qualify as colorless, and the Centenary is the best of the three - a 'D'. This spectacular gem, which has become the ultimate example of those qualities was shown to the world for the first time in May, 1991. Mr. Nicholas Oppenheimer, then Deputy Chairman of De Beers rightly declared "Who can put a price on such a stone?" confirming that it was insured for around $100 million.

 

Whether the Centenary Diamond has since been sold is a mystery. The De Beers Group's policy is not to disclose such information so that the anonymity of its clients is protected. Some day the Centenary will probably resurface, perhaps at auction, or in a museum display housing some country's crown jewels. Gabi Tolkowsky has since cut another large gem of note, the Pink Sun Rise, a 29-carat pink diamond with a facet pattern similar to the Centenary's. Also cut the largest faceted diamond in the world - the Golden Jubilee. Sources: Famous Diamonds by Ian Balfour, The Nature of Diamonds by George E. Harlow, and the De Beers website.

 

In the autumn of 2001, I found Gabi Tolkowsky's mailing address on the internet, and decided to write to him. He lives in Antwerp, Belgium, which comes as no surprise as as this is the diamond cutting capitol of the world. Among the questions I asked him was whether he had heard about the Centenary Diamond selling or not. In his reply he told me he had heard the rumor, but no one had confirmed it to him.

Briolette of India Diamond

The Briolette of India is a legendary diamond of 90.38 carats, which, if the fables about it are true, may be the oldest diamond on record, perhaps older than the Koh-I-Noor Diamond. In the 12th century, Eleanor of Aquitaine, the first Queen of France and later England, brought the stone to England. Her son, Richard the Lionhearted, is said to have taken it on the Third Crusade.

It next appeared in the 16th century when Henry II of France gave it to his blonde mistress, Diane de Poitiers. It was shown in one of many portraits of her while at Fontainebleau.

After disappearing for four centuries, the stone surfaced again in 1950 when the jeweler, Harry Winston, of New York, bought it from an Indian Maharajah. It was sold to Mrs. I.W. Killam and bought back by Mr. Winston, following her death, about 10 years later.

In 1970, Mr. Winston showed the stone at the Diamond Dinner for American Fashion Editors. Source: Diamonds - Famous, Notable and Unique (GIA) 

The book Diamonds - Famous, Notable and Unique was published in 1974, since that time new information on the Briolette of India has surfaced. The gem was thought to have a history extending to the Middle Ages, unfortunately recent research has revealed it was cut in Paris in 1908-9. Nevertheless, the gem is very unique and remains the most famous briolette-cut diamond in the world.